Lynda Obst - Productions
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Hello, He Lied: and Other Truths from the Hollywood Trenches
By Lynda Obst

Hello He Lied welcomes you to the inside world of Hollywood - where there is no glossary and people play by rules discernible only to those on the inside. Here Lynda Obst shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.

Hello He Lied was first published by Little Brown and debuted at #1 on the LA Times Best Seller list. It was published by Broadway Books in paperback in 1997, once again debuting on the Best Seller List where it remained for 12 weeks. Hello He Lied was recently adapted into a documentary by the award winning directors Shari Springer Berman and Robert Pulcini and aired on AMC.

Broadway Books Oct 1997
ISBN: 0767900413
Paperback, 257 pages

Rolling Stone History of the Sixties:
The Decade Remembered Now by the People Who Lived Them

Edited by Lynda Obst

Lou Adler on Monterey Pop, Myra Friedman on Janis, Wavy Gravy on Woodstock, Dick Clark on American Bandstand, Pete Townshend on the Mods, Bill Graham on the Fillmore, Michael Bloomfield on Dylan, with the rest about world/political events. Some of the material is reprinted from other surces and some was prepared specifically for this book.

Random House 1977
ASIN: 0394732391
Hardcover


 

 

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"Movies are Like Babies"
By David McClintick
The New York Times
October 13, 1996

Walking my dog on West End Avenue a few months ago, I encountered the Hollywood producer Lynda Obst in a thicket of lights and cameras. She was on location with her new movie, One Fine Day, starring Michelle Pfeiffer and George Clooney... read more.

"Lynda in Wonderland"
By Jeff Silverman
The Los Angeles Times
September 9, 1996

If we can begin by postulating that there's an actual order to the Hollywood universe, then its first law of personal dynamics would go something like this: for every action--which, of course, includes inaction--there is an equal and underlying self-interest... read more.