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“The Projectionist, an Oscar Exchange ”
By Lynda Obst and David Edelstein
New York Magazine , Feburary 19 - Feburary 25, 2008
As Oscar night approaches, David Edelstein and Hollywood producer Lynda Obst are discussing the race. Check back tonight for Obst's response, and on Friday morning for another round... read
more.
“Chicks With Flicks ”
By Lynda Obst
New York Magazine , June 2007
In this—the season of Knocked Up and Entourage—Hollywood has a little woman problem. One producer’s lament for a lost Camelot.. read
more.
“The Critic and the Producer, an Oscar Exchange ”
By Lynda Obst and David Edelstein
New York Magazine , January 23 - Feburary 26, 2007
Hollywood producer Lynda Obst and New York film critic David Edelstein discuss the Oscar nominations by e-mail each year. read
more.
“We Lost It at the Movies.
How Hollywood freaked out over vanishing audiences – who’ve now magically reappeared – and why teenage boys are a studio’s worst habit.”
By Lynda Obst
New York Magazine , May 1, 2006
You may have heard that recently, the entire audience for movies disappeared. Poof. You can imagine that this was quite a blow to movie-industry types. This mysterious disaster seemed to last an eternity but actually endured nine months. Still, it was the cruelest of all of the binge-and-purge cycles I’ve seen in Hollywood.
read
more.
“New York's David Edelstein and Hollywood's
Lynda Obst engage in their annual dissection
of the Oscars.”
By David Edelstein and Lynda Obst
New York Magazine , February 27, 2006
As a serious critic, I'm a little ashamed to kowtow to the awards-season frenzy that, in the words of my colleague Armond White, has "destroy[ed] film culture" by perennially brushing aside challenging fare in favor of excessively promoted consensus middlebrow beanbags. And yet I hunger for the latest Oscar dish.
read
more.
“Chatting About the Oscars
The post-Oscar hangover.”
By David Edelstein and Lynda Obst
Slate.com, February 28, 2005
As a serious critic, I cannot say too many times how beneath me it is
to comment on the Academy Awards. As I wrote in my hard-hitting book, When
Awards Lie,...
read
more.
“Chatting
About the Oscars
Oscar's best and worst.”
By David Edelstein and Lynda Obst
Slate.com, March 1, 2004
Once again, I'm delighted to be talking
with you—a producer of $100 million movies and an accomplished
writer and an A-list partygoer—about the year in film—at
least, the year in film as viewed through the glamorously insular prism
of the Academy
Awards ... read
more.
“Making a Film for Women Your
Age”
The Los Angeles Times, January 6, 2004
There's nothing more fun than stumping the movie experts except
watching an entire movie demographic do it. That's what happened
when Nancy Meyers' hit Something's Gotta Give,... read
more.
"Two Critics and a Producer
Chat About the Oscars"
Slate.com March 20, 2003
It feels strange to be nattering on about the Academy Awards given
current events and the continued existence of a brutal and unscrupulous
dictator who runs roughshod over the lives of innocents. But enough
about Harvey Weinstein.... read
more.
“Calling Susan Faludi”
The Los Angeles Times, November 17, 2002
Book review of “Women Who Run the Show: How a Brilliant and
Creative New Generation of Women Stormed Hollywood, 1973-2000”
by Mollie Gregory... read
more.
“Top Guns. Hollywood Execs
are ready to serve Their Country. But How?”
Slate.com, November 14, 2001
With any luck, this might be the last piece you have to read about
Hollywood's Sunday brunch with Bush's consigliere, Karl Rove...
read
more.
“Revenge of the “D”
Girls”
The Nation, April 3, 2001
NOT AVAILABLE
“Slate Diaries - Thursday”
Slate.com, August 31, 2000
Sad to report that my psychotic optimism was short-lived. It barely
lasted till I got to the set. The sun was brightest as I left the
trailer, and we never got to shoot the wide shot... read
more.
“Slate Diaries - Monday”
Slate.com, August 28, 2000
It's Sunday night and I've canceled a first date to do yoga and
start my "Diary," such is the glamorous life we movie
producers live... read
more.
“NO DUMMY; The Loneliness of
the Long-Distance Player”
The Los Angeles Times, June 9, 2000
Book review of “WHERE DID I GO RIGHT?” by Bernie Brillstein...
read
more.
“The Two Hollywoods; Hollywood
Squares and Hipsters”
The New York Times, November 16, 1997
Life styles of the rich and famous versus the not so rich and famous...
read
more.
“Y'Alternative Hollywood”
The New York Times, October 9, 1997
WHILE dining at the Russian Tea Room during a business trip 10 years
ago, I looked around and discovered the Fox Commissary... read
more.
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“Women of my generation have clearly lost their minds”
The Huffington Post, March 2008
Not that I can blame them, apparently being invisible and all. Now with Geraldine Ferrara making outrageous nut-jobber remarks she doesn’t even seem to understand, and realizing our tragic generation was once proud of her as a “pioneer”, you can see how deluded we are as well. read
more.
“Chicks Behind the Flicks”
Salon.com, November 2007
Ten of Hollywood's most powerful women sit down to discuss the state of the movie business -- why there aren't
more female directors, why blowing things up is fun, and more. ... download pdf.
“Girls Don't Cry”
Elle, November 2007
Woman in Hollywood won't tell you it's easy: So much drama and tortured romance! Never enough action! But, they all agree, it's worth the fight. A discussion led by Lynda Obst... download pdf.
“The Women in Hollywood Roundtable”
Elle, November 2007
Ten of the most powerful women in Hollywood meet at the Beverly Hills Hotel and talk about the state of the business in 2007 ... read
more.
“Three movies and one nail-biting
weekend; Open Wide How Hollywood Box Office Became a National Obsession”
The Los Angeles Times, November 28, 2004
REPORTERS Jonathan Bing and Dade
Hayes had a nifty idea: Pick a summer weekend and watch the movies
selected for release by the major studios duke it out. Looking for "a
bruising one with a clear winner and loser," they selected July 4,
2003, the long weekend opener ... read
more.
“Dear Mr. Valenti”
The Los Angeles Times, October 16, 2003
Dear Mr. Valenti: Your wisdom in guiding our industry has been,
up to now, unparalleled. My respect for you is such that, even in
the face of this insane new policy of eliminating our Oscar DVDs,
I feel certain that you are merely misguided not malevolent... read
more.
“TELEVISION/RADIO; The Seven-Script
Itch”
The New York Times, June 1, 2003
IMAGINE your favorite Hollywood marriages: Burton and Taylor, Gable
and Lombard. They led alluring lives; their weddings, affairs and
divorces were breathlessly covered by Photoplay... read
more.
"Oscars the Grouch"
Slate.com, March 22, 2002 – March 24, 2002
Hi from Brooklyn, Lynda. Here in the East, winter has arrived, just
in time for spring. It's unnerving—but normalcy, what's that?
I have a sense that, reflecting the national mood as well as recent
show-biz controversies... read
more.
“Slate Diaries - Friday”
Slate.com, September 1, 2001
We are on split days—"splits" we call them—which
means that we start shooting at around 2 p.m. and work until 2 a.m.
This is my excuse for late filing, as our scene today, Ellen Barkin's
last, has just begun... read
more.
“Slate Diaries - Tuesday”
Slate.com, August 29, 2000
I’m driving to the set with my computer on my lap, heading
for the bucolic farm in New Jersey that we scouted 10 times in perfect
weather, and watching the skies nervously for any signs of sun...
read
more.
“Monster Mash; What Sort of
Animal Makes Music Like This?”
The Los Angeles Times, July 23, 2000
Book review of “AMERICAN RHAPSODY” by Joe Eszterhas...
read
more.
“Email Conversation: David
Edelstein and Lynda Obst”
Slate.com March 20-24, 2000
Hi Lynda: I can already feel the disappointment settling in among
our readers that my last name isn't Mendelsohn... read
more.
“The Reel Thing”
The Los Angeles Times, June 8, 1997
Book review of “REALITY AND DREAMS” by Muriel Spark...
read
more.
“Oscars for Doorstops”
The New York Times, May 18, 1997
Book review of “WITHOUT LYING DOWN: Frances Marion and the
Powerful Women of Early Hollywood.” By Cari Beauchamp... read
more.
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