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In 1989 Lynda Obst formed Lynda Obst Productions,
a feature films production company. The company has a first-look
deal with Paramount Pictures, where Obst has produced such films
as How to Lose a Guy in 10 Days, starring Kate Hudson and
Matthew McConaughey, and Abandon, the directing debut of
Academy Award winner Stephen Gaghan.
LOP was originally based at Columbia Pictures
where Obst produced Terry Gilliam’s The Fisher King
(with Debra Hill), Nora Ephron’s directing debut, This
Is My Life, and executive produced Ephron’s second film,
Sleepless in Seattle.
While based at Fox, Obst produced The
Siege, starring Denzel Washington and Annette Bening, Hope
Floats, starring Sandra Bullock and Harry Connick Jr., One Fine
Day, starring Michelle Pfeiffer and George Clooney and Someone
Like You, starring Ashley Judd and Hugh Jackman. Lynda executive
produced Contact, starring Jodie Foster for Warner Brothers
in 1997. In 1999, she executive produced The 60s, a two
part miniseries for NBC.
Lynda Obst grew up in Suburban New York and
graduated from Pomona College in 1972. She attended graduate school
at Columbia University in Philosophy. After Columbia, she began
her film and journalism career as the editor/author of The Rolling
Stone’s History of the Sixties, a compendium of the era’s
people, politics, and popular culture. She then became an editor
at the New York Times Magazine, where she covered such
diverse topics as science, philosophy, and publishing, before being
recruited to Hollywood in 1979 by Peter Guber, then chairman of
Casablanca/Polygram. There she developed Flashdance and
Clue, as well as beginning the development of Carl Sagan’s
novel Contact. In 1982, Lynda joined the David Geffen company
where she worked on the development and production of a number of
films, including Risky Business and After Hours.
In 1985, partnered with Debra Hill to form
Hill/Obst Productions at Paramount Pictures. Among their films were
Chris Columbus’ directing debut, Adventures in Babysitting,
as well as Heartbreak Hotel, which he wrote and directed.
Lynda’s non-fiction book: Hello
He Lied: And Other Truths from the Hollywood Trenches was first
published by Little Brown and debuted at #1 on the LA Times
Best Seller list. It was published by Broadway Books in paperback
in 1997, once again debuting on the Best Seller List where it remained
for 12 weeks. Hello He Lied was recently adapted into a
documentary by the award winning directors Shari Springer Berman
and Robert Pulcini of the highly acclaimed American Splendor
and aired on AMC.
Lynda was the commencement speaker for the class of 2000 and awarded an Honorary Degree of Doctor of Fine Arts at Pomona College. She is a regular contributor to the New York Times Book Review, LA Times Book Review, does the annual Oscar coverage with film critic David Edelstein for New York Magazine, and has written for Texas Monthly, The Nation, and Harper’s Magazine.
Lynda’s teaching and public speaking
experience has burgeoned since the publication of Hello, He
Lied. She has taught a Master’s screenwriting class at
USC and a course in producing at the University of Texas. She has
also taught several courses at The Learning Annex, where
she is one of their most requested lecturers. She has given seminars
on the film industry around the world, and is a regular moderator
and speaker at the annual LA Times Book Festival.
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Lynda Obst Productions
Paramount Pictures
5555 Melrose Avenue
Milland Building 210
Hollywood CA 90038
phone (323) 956-8744
fax (323) 862-2287
Contact Us
| Lynda Obst |
|
Producer |
| Marc Rosen |
|
Partner |
| Andrew Mittman |
|
Vice President of Development |
Rachel Abarbanell
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|
Vice President of Production |
| Karin Ostrander |
|
Executive Assistant |
DEAR READER,
Thanks for visiting.
In almost two decades in Hollywood, I have learned that our work
is most meaningful when we make movies about things that move us,
provoke us, inspire us, or engage and compel us. If the products
of our efforts reach the screen, the bookstore, the public in any
way – regardless of whether they are hits or flops –
and if they have some kernel that only we could have provided, it
will have all been for something worthwhile.
On a more personal level, my most satisfying
work has been the impact on -- and collaboration with -- aspiring
and up-and-coming filmmakers that I have had the good fortune to
have helped, sometimes without my even knowing it. I rediscover
the pleasure in my work each time someone I meet tells me that my
books, articles, or lectures, reached them in some way; that I may
have helped another bright light shine. This is the impulse behind
this Web site.
I hope this site empowers you in even the
smallest of ways.
Thanks for visiting. I welcome your feedback.
Lynda
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